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now you've got a fever but I think you'll need a ladder

Penulis : Unknown on Sunday, 28 February 2010 | 22:27

Sunday, 28 February 2010


New work appears in the new Eleven Eleven: several prose poems all called "The Age of the Tire Boat." These are from a project called No One Sleeps Beneath the Train Except the Light, in which the things that happen include deer shit raining from Arnold Schwarzenegger's shower. They are forthcoming in the anthology Thirty Under Thirty from Starcherone. Lots of cool people in there, and in this new 11:11. Very stoked to be among.
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MC O: re-available from Transmission!

Penulis : Unknown on Thursday, 25 February 2010 | 14:59

Thursday, 25 February 2010


Logan Ryan Smith re-woke the gila monster of a chapbook press called Transmission, and he's selling/soon to be making chapbooks again! You can buy MC Oroville's Answering Machine, as well as awesome little books by Dorothea Laskey, Sarah Meneffe, and other terrific folk.

If you're interested in what MC O is all about, check out my interview with Ani Smith.
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you probably already saw this on HTMLBIGFOOT, but

Penulis : Unknown on Wednesday, 24 February 2010 | 11:58

Wednesday, 24 February 2010

Kevin Sampsell was nice enough to ask me some questions while I hung out in Portland, and Bryan Coffelt was nice enough to make it all spiffy. Me, meanwhile, I was nice enough to ramble on for eleven minutes and hammer the words "terrific" and "mythology" with freakish consistency.

"I don't have to long for a better thing to tell stories about." from bryan coffelt on Vimeo.

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clay aiken pyramid illuminati

Penulis : Unknown on Tuesday, 9 February 2010 | 10:40

Tuesday, 9 February 2010


Just finished another story with some crazy talk. Of the on the bus kind, though not on a bus. Of the only fifteen minutes into the spiel do you realize you've got somebody differently-stabled. For some reason I am really attracted to this talk. It's not blabber, it's conspiracy-on-the-answering-machine stuff. Here are a few reasons why I believe I'm attracted to it, which have been vetted and hired from a series of more bullshit reasons that would sound better but be less honest:

1) I am a little crazy. I feel calm in the presence of "actual" crazies and way less calm in the presence of somebody talking about their new afghan. Or saying "mmm" in that way faintly resonant of the orgasm but culturally accepted. For some reason I associate this kind of non-crazy talk with good posture. It drives me crazy.

2) I am envious that I am not as crazy as "actual" crazies. It seems very sweet and bold to have so a vision clearly individuated. Get it, vision? There is no doubt, upon hearing the crazies do their crazy, that they see a different world than you see. And that this world is, by way of its mangled structure, inaccessible to you. Not unworking, just inaccessible. Think maybe of a computer, appliance, or car that only you can start/drive/whatever. This is the world of a crazy. It seems really fun. Or at least it seems really fun to me. I'm sure it seems annoying to people like busy people. I never want to talk to a crazy. That is exasperating. But I feel very calm when I am temporarily in their presence and I am fully aware that I have my exit route planned, thus of course dehumanizing the crazy and turning the crazy into some kind of rollercoaster, which is not doubt a flaw in my empathy. But it is true. When I am on a bus with a crazy, or at a bus stop with a crazy and the crazy's sticker-flocked shopping cart, or when I watch the crazy walk into the middle of the street, kneel, pray, and then walk back onto the sidewalk—ignoring the honks of very angry busy car people—to perhaps harass some momentarily open-seeming (i.e. non-busy) person, to perhaps explain to this person about how a giant flamingo controls the stage lights we call the moon: if I am witness to these situations, I feel much calmer than I feel in more normal situations. I was going to put normal in quotes, but that would be sort of wishful thinking. And, even worse, would perpetuate the falsely dichotomous narrative of "normal VS. weird," simply recasting it in some sort of immature punk-scenester fluffery of "well, maybe nothing's normal, dude, maybe everything is weird." This, of course, is wrong. Everything is not weird. Or normal. Everything is everything. The louder each thing, the more comes listening.
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Oshin おしん [Episode 1 to 297] Updated

Penulis : Unknown on Sunday, 7 February 2010 | 02:34

Sunday, 7 February 2010





Titulo en japones: おしん
Titulo (romaji): Oshin
Episodios: 297 de 15 minutos aprox. c/u
Estilo: Drama humano
Publicado entre el 4 de Abril de 1983 y el 31 de Marzo 1984

In 1901, Oshin, at seven years, is sent off by her father to work as a babysitter, in order to support her family. With the physical and verbal abuse by her employer, Oshin insisted on sticking it through for the sake of her family. However, when she is accused of stealing money, she runs away and for days suffers through snow blizzards as she walks back home to be with her mother. But the blizzard is so rough on her, she nearly freezes to death. She's rescued by a man who himself is a fugitive, and stays with him until the snow melts.

Upon her return to her home, Oshin is once again sent back out - this time to Kaga-ya in Sayaka to work as a babysitter. She makes good friends with the daughter, who is the same age as Oshin, and stays at the Kaga-ya until she turns 16. But even after returning home once again, her father wants her to once again go back out and work as a bar maid. Realizing that the bar maid job is a cover for prostitution, Oshin runs off to Tokyo to follow her older sister Haru's dream of becoming a hair stylist.

More info ---> http://en.wikipedia.org/wiki/Oshin

Size: 640 x 480
File 80 ~ Mb x 1
Format x264 in mkv

waiting for mirror (megaupload has shutdown)




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